By Noel Coward
Performances 25 – 28 March, 7:30pm Assembly Roxy, Upstairs
Tickets £12 advance, £15 on the door
Meet the wealthy, self-obsessed and eccentric Bliss family; grande dame of the stage and mother Judith, novelist and father David, and their two children Sorel and Simon. Each has invited a guest to spend the weekend at their country house in rural England – and each has neglected to tell the others. Needless to say friction and hilarity ensue in this classic British comedy of manners.
Continue reading Hay Fever
On the back of one of its biggest years to date, the Edinburgh Graduate Theatre Group, EGTG, has announced it has an even larger programme in store for 2020. The theatre company is increasing the scope of both its spring and autumn programming to present a total of seven productions throughout the year.
Continue reading 2020 Season
Catch-22 by Joseph Heller
Performances 12 -16 November, 19:30 The Biscuit Factory
Tickets £12 advance, £15 on the door.
“That’s some catch, that Catch-22.”
Captain John Yossarian is a U.S. Army bombardier and the last Assyrian alive, and he would very much like to keep it that way. Convinced that an entire army is trying to kill him, Yossarian desperately tries to evade battle (and the increasing demands of his superior Colonel Cathcart), but finds that there is always a catch. Meanwhile, the unit’s long-suffering Chaplain has found himself inadvertently caught up in a strange war of his own. And everyone is trying to locate the mysterious Washington Irving.
Continue reading Catch-22
The Edinburgh Graduate Theatre Group, EGTG, has announced that 2019 will be one of its most ambitious years yet; with four full-length productions, two one-acts and a programme of improvised theatre throughout the year.
As is traditional for the group, the season includes a mix of classical literature and exciting contemporary pieces. As well as two one-acts at the beginning of the year, EGTG will mount two full length productions before the Festival Fringe in the spring summer; Robert Askins’ Hand To God, and a translation of Jean Anouilh’s The Lark. EGTG’s Festival will be made up of Shakespeare’s Merry Wives of Windsor, and the revival of its SCDA one-act entries. The group will bring 2019 to a close with Joseph Heller’s own adaptation of Catch 22 in the autumn.
Continue reading 2019 Season