Hand to God by Robert Askins
Auditions: Wednesday 28th November beginning at 7:30pm and Sunday 2nd December at 2pm. You only need to attend one audition session.
Performances: 9th – 13th April (not including Friday 12th) 7:30pm Assembly Roxy
Mild-mannered, shy Jason has sought solace in his mother’s Christian puppet ministry after the death of his father. In the basement of a conservative church in Cypress, Texas, Jason discovers a blossoming talent for puppetry and thinks that things might just turn out okay. His mom and Pastor Greg seem pleased, the local bully is largely indifferent, and his puppetry has even caught the eye of the cute girl in the youth group.
But the youth group has a monster in their midst: Jason’s puppet, Tyrone. As Tyrone’s foul-mouthed, irreverent, and devilishly funny influence over Jason steadily grows, no one’s secrets are safe. Not content with mere anarchy, Tyrone won’t be satisfied until
he’s dragged everyone to hell and back.
Is Tyrone simply Jason’s voice of grief and rage, or is Tyrone something far more sinister? Is Tyrone what he claims to be: the devil?
Hand to God, a play the New Yorker called Sesame Street meets The Exorcist, is a hilarious, lightening-paced, very adult comedy that explores the startling fragile nature of faith, morality, and familial ties that bind
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The Edinburgh Graduate Theatre Group, EGTG, has announced that 2019 will be one of its most ambitious years yet; with four full-length productions, two one-acts and a programme of improvised theatre throughout the year.
As is traditional for the group, the season includes a mix of classical literature and exciting contemporary pieces. As well as two one-acts at the beginning of the year, EGTG will mount two full length productions before the Festival Fringe in the spring summer; Robert Askins’ Hand To God, and a translation of Jean Anouilh’s The Lark. EGTG’s Festival will be made up of Shakespeare’s Merry Wives of Windsor, and the revival of its SCDA one-act entries. The group will bring 2019 to a close with Joseph Heller’s own adaptation of Catch 22 in the autumn.
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All About My Mother A play by Samuel Adamson, based on the film by Pedro Almodovar
21st – 24th November inclusive, 7:30pm Assembly Roxy
Tickets £10 advance, £12 on the door
“To all actresses who have played actresses. To all women who act. To men who act and become women. To all the people who want to be mothers.”
Pedro Almodovar, to the audience of All About My Mother
In Barcelona, Manuela makes a new life for herself after the death of her son, working on a stage production of A Streetcar Named Desire. She is reunited with an old transgender friend, Agrado, who she finds working as a prostitute, and makes new friends in the shape of Rosa, a terminally ill young nun, and Huma Rojo, the famous and formidable grand dame stage actress whom her late son idolised.
As Manuela rebuilds her life in a new city with a new job and new friends, her son’s estranged father returns to her life with tragic and life changing consequences for them all. Continue reading All About My Mother
skirt by Claire Wood
6th – 11th August inclusive, 6:30pm The Royal Scots Club (venue 241)
Tickets £10 https://tickets.edfringe.com/
A brand new darkly funny play exploring gender and politics in modern day Scotland
Becs is a single mum and leader of the opposition party in Scotland. Oldest daughter Ellie is about to go off to university while Neve is still at primary school and struggling.
Becs has been offered the chance to head up the party at Westminster. But her mum has early onset Alzheimers. Her best friend Nina needs a bolt hole. And Becs isn’t quite sure that she could do the job anyway.
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Much Ado About Nothing by William Shakespeare
6th – 11th August inclusive, 8:45pm The Royal Scots Club (venue 241)
Tickets £10 https://tickets.edfringe.com/
May 1945: the war is over.
The Prince and his courtiers, returned from the Western Front, have come to visit Leonata and her household. Upon arrival, Claudio falls madly in love with the fair Hero and sets out to woo her. Not content with their own joy, they conspire to bring their long-suffering cousins Beatrice and Benedick together. But love is a battlefield and Dame Joan, the Prince’s misanthropic illegitimate sister, won’t be content until everyone’s new-found bliss has been shot down. Her weapons, a slyly whispered word at a masked ball and shadows viewed at the window, threaten to undo everyone’s happiness. But all is not lost as curtain twitching, busybody neighbour Dogberry and her hen-pecked husband may yet hold the key to everyone’s happiness.
Will true love conquer all? Will Joan’s plot be uncovered? Will Beatrice and Benedick ever stop bickering?!
Continue reading Much Ado About Nothing