crackers

crackers by cmfwood
18:45 7-12 Aug 2023, The Royal Scots Club (Venue 241)

Unsettling exploration of society’s uneasy relationship with mental ill-health.

Will is a popular, well-respected GP. He’s happily married to Mhairi, a teacher and they have a daughter, Lyra, who’s about to leave school for university. But when one of Will’s teenage patients commits suicide, Will’s world starts to unravel and he’s forced to question everything he thought he knew. 

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EGTG Fringe table-read

18:00 Sunday 3 April
18 Buccleuch Place

We invite you to join us to read and hear the two scripts that EGTG will perform at this year’s Festival Fringe. New and existing members are welcome as we read The Merchant of Venice, adapted by director Angela Harkness Robertson, and Lucy Kirkwood’s Bloody Wimmin, directed by Hilary Spiers. 

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Fringe 2021 Update

— Updated 11 April —

This is the time of the year when we would normally be announcing auditions for the 2021 Festival Fringe. Unfortunately that is not the case and we have made the decision to postpone our planned productions once again, with the intention of bringing both The Merchant of Venice and Bloody Wimmin to the stage in 2022. 

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Pool (No Water)

Pool (No Water) by Mark Ravenhill

Performances 5 – 10 August, 21:00 The Royal Scots Club
Tickets £12 https://tickets.edfringe.com/

Four struggling bohemian artists. A pool.

They have a friend who was plucked from obscurity and is now renowned, respected and rich. She has a pool in LA now – that kind of successful. It’s fantastic, fantastic, fantastic… Until one booze-fuelled skinny dip leads to a terrible accident.

Mark Ravenhill’s dark, witty comedy explores how jealousy can tear apart relationships and cause old friends to do the unthinkable.

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The Merry Wives of Windsor

The Merry Wives of Windsor Holyrood by William Shakespeare

Performances 5th – 10th August, 19:00 The Royal Scots Club
Tickets £12 https://tickets.edfringe.com/

An uproarious tale of marriage, mischief, jealousy, lies, and laundry.

Set in and around Page’s Steamie on the Windsor Estate in 1950s Edinburgh, Falstaff woos two women in an attempt to swindle their husbands and regain his squandered wealth. The wily wives see through him, however, and plot their hilarious revenge. Meanwhile, Anne Page is pursued by two unlikely suitors, each one approved by her respective parents. But she prefers another.

Will true love prevail? Will Falstaff get his comeuppance and mend his ways? And will Ford ever accept that wives may be merry yet honest too?

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